My father’s Brilliant book ‘Them + Us’

September 17th, 2009

My father’s (Danny Vendramini) brilliant book Them and Us How Neanderthal Predation Created Modern Humans by Kardoorair Press was released yesterday.

It’s been receiving exceptional feedback from around the world and is a facinating and hugely entertaining read and I urge you all to go out and order a copy from any good bookstore near you.

Go to his website to check it out http://www.themandus.org/

The Adelaide Advirtiser review – http://www.news.com.au/adelaidenow/story/0,22606,26087840-5006301,00.html

 

The Daily Telegraph Review – http://www.dailytelegraph.com.au/news/indepth/neanderthal-man-was-a-brutal-cranivore-who-hunted-and-raped-humans-claims-danny-vendramini/story-e6frewsr-1225776130730

Australian Cinema and The Dodo Bird

September 10th, 2009
I went to the cinema with friends last week and the attendant smiled and asked for $68 for the four of us. That’s $17 per ticket. Inside the cinema there was myself, my three other friends and a solo guy way up the back looking suspiciously like he was enjoying the sight of Ms Heigl on the big screen a bit too much. My point is that if tickets have now increased to $17 per ticket, and that empty cinema is anything to go by – we are in for a rude awakening – and that’s not even counting the solo man.
 
The Australian movie making industry and cinema going audience have some major challenges ahead. Traditionally there has been only an 18 per cent rise in cinema ticket prices and fees since 1988, fairly small considering the 293 per cent increase in TV subscription fees. In 1905 you could buy a cinema ticket for 5 cents. Today, in Australia a general admission ticket is $17.00 per person, compared to the States where an average ticket price last year was $7.18.  
 
Yes, in Australia better wages are paid to our ushers and ticket sales staff and there are great distances that the film needs to be transported, but ultimately there outlays are hugely disproportionate to the pricing. 
 
The reality is that the regular cinema going punter has cut back his/her expenditure already due to the economic downturn, pile on the already declining rates of cinema attendance and now the huge price increase, we are going to see far reaching consequences.
 
Supporters of the price increase say that it won’t affect movies being made in Australia because 3/4 of all film finance in Australia comes from government funding. But it does affect how or if Australians go to see the movies – and that affects everything. Our culture of cinema has picked up a lot especially in the last ten years as Australian actors and actresses have made such an impact on American and other international audiences. As a result we are just now building a healthy pride for our industry, a pride not seen since The Man From Snowy River days – but how will this new price increase affect this carefully built pride?
 
Another factor affecting cinema attendance is the healthy Australian TV marketplace. A few nights ago I had the pleasure of working on Underbelly. Underbelly is Australia’s highest grossing TV show and with new additions like that as well as the aussie stable of Home and Away and Neighbours still going strong internationally, the TV industry is healthy, viable and pulling audiences away from the cinemas and bringing them back home. It’s an absolute pleasure to see the Australian TV marketplace being in the state it is, but I would like to see that happening in tandem with the cinema industry.
 
Cinema is not just a place to lose some hours, not just a place for fantasy and entertainment, it’s an important discussion on how we choose to identify ourselves, what our culture is, what our heritage is. It’s a place of learning.
 
And with prices this high, we are not only excluding students, the elderly and the low income earners, but the middle class will feel the pinch as well. So if people can only afford to see a few movies a year, will they be the overly advertised foreign blockbusters and if so will we lose that all important discussion about our national heritage, our past, present and future as Australians? Will Aussie films go the way of the Dodo bird? Will our hotbed of talent have to leave the sun burnt shores of this country to gain employment overseas?  How will it affect the current filmmakers and importantly, the up and coming ones?
 
I guess we will have to wait and see how the ticket price increase will affect our precious industry but I encourage you all to write into your local megaplex chain with your concerns and to frequent the independent cinemas that have still managed to keep the prices low. And if you see solo man sitting up the back, run the other way.

commitment-phobia

July 14th, 2009

I can talk with great eloquence, if little comprehension, on a lot of subjects, sex life of the firefly, sub Sahara economies, humanity and her delights or sores. And if I have no idea of what I am talking about, I’ll give it a guess or maybe pretend I know what I’m talking about, (which will in effect convince that person, as well as myself, that I do know what I’m talking about.) Truth never raring her lovely troublesome head.

 

The only thing, with absolute consistency that I haven’t been able to, are not able to, and will not be able to talk about with fluidly is ‘the talk’ itself. I’m marginally sane with the break up talk, as I rehearse the hell out of it before hand, (and often consume large amounts of alcohol) but still I end up blaming the weather in Istanbul on my decision which I think will somehow make it easier on them (NB: it doesn’t.) The real problem lies in the ”yes, I like you”, or more horrific still “yes, I love you” talk, I become a jibbering, jabbering, stuttering, blushing, twitching fool. I become like Wily Coyote who has just been blasted with 100 volts of electricity, my hair flies out at right angles, limbs shoot out, my tongue lolls and my voice alternates between that of a lobotomy patients and a mosquito cracked up on pseudoephedrine.

 

Typical conversation as follows

 

Man: So what would you like in the future?

 

Bella: My future? Or another person? (boooya!) Um. So. Like that chick on the Bold and The Beautiful. She had such a funny hair do…you know with all that hairspray…hairspray. Yeah. So anyway she was talking about the future. And.You know what. Guess what! She was supposed to be telepathic… Yeah. (pause of pneumonic plague proportions) So. Right. Have you ever had telepathic thoughts then?’

 

Not even a smooth change of subject, a hurtling out of control brakeless lorry with a drunk driver kind of subject change. And it gets worse.

 

I blush like an alien mothership’s backside as it pulses with crude energy. Then I stutter. And blurt. Like beer pipes with too much gas. Intermissions of hot air then gushes of inappropriate slush. Then the piece de resistance: I dribble.

 

Man: ‘No, I mean our future, together.’

 

Um. (clear throat, straighten wrist watch, cock neck, widen eyes briefly and clear throat again) I think that, you know, in the end, you know, like I think it’s all good to think things, you know, but like, who knows what to think right. But anyway, I think we should just, yeah, you know. It’s all-. What we gotta do, you know, is, but look, it’s okay to not talk about it, I completely understand. Would you like a cookie?

 

What I need is for the man to treat my like I’m five.

 

‘You-likkie-likkie-me?’

 

‘y(stutter) e (blush) s (shake). Yes’ or n (burning hot) o (stutter) No’

 

‘Do-you-want-to-be-with-me?’

 

‘y(stutter) e (blush) s (shake) Yes.’ Or ‘n (burning hot) o (stutter) No’

 

Why isn’t life that simple? And I don’t even know why I become so idiotic. Usually I’m a pretty self aware person. I know why I over consume chocolate or embarrass people when I dance. But I don’t for the life of me know why I become like this. There is a part of me that can be rational:

 

‘Yes, I love you and I think that you are the love of my life and I’d like to have beautiful kids with you in a year, but on the condition that you don’t wear your socks to bed.’ Or something equally as concise. But no luck. I can’t even blink correctly during ‘the talk’ I brush away their concerns that I am having some sort of seizure, go into the bathroom and come out with a new subject change that I think nobody can see through ‘So do you like ovaries. I do. I think they’re neat, how are your ovaries. Oh. Right. You don’t have any. That’s okay. I don’t mind. That. Perfect really. Considering you are a man. So um another cookie?’

 

Fun and Fearless

July 14th, 2009

I’ve just been nominated for the Cosmopolitan Fun and Fearless Woman of The Year Award – I’m next to some fab women so feel very chuffed, even better that an award like this exists for women. To celebrate being fun and to celebrate being fearless – what a wonderful thing. It’s celebrating what it is to be a woman. In all her beauty, contradictions and strength. Even a couple of decades ago it would be awarded to women that could fold laundry well or make the best G&T, now it’s for being fun and fearless, our role as women has come a long way and I think that it shows that we are very much on the right track. What could be more fun?

virginal cleaning

April 17th, 2009

I’m booked to leave New York at the end of the month for Europe. Rome for 10 days where I can write then over to Nice – Cote D’azure for 7 days. We’ll nip across to the Cairns Film Festival too which will be brilliant as it is my virginal foray into the glitz and glam of films – french style. While in Rome it would be awesome to visit Palermo but will see if I can, apparently it takes 12 hours by boat.

I’ve stopped partying for the past five days to give my body a rest – and I have entered the twilight zone – I’ve gotten a flu and am so bored I’m actually cleaning - 

Just done a spring clean of the house… I only wish I could do that with my lungs and liver

My Romance With Oscar

April 13th, 2009

My flatmate has left for vacation in Turkey and I’m left at home with The Beast. The Beast aka Oscar is a 6 month old Boxer with scitzoid tendencies. He is handsome, beautifully proportioned with a compacted snout and large expressive eyes – but he is a beast. You leave the apartment for ten minutes and you come back to find hell on earth. He chews everything he can reach. Shoes, make up, clothes, bills, computers. He was once able to start the computer and get Itunes to play a Bob Marley song. Kind of brilliant if you think about it. Yesterday I came home to find my new red Italian shoes turned into oatmeal. He also bites. And he jumps up and tried to have sex with my leg. The house a shambles, my leg being systematically raped, saliva and hair an inch thick on my clothes and I have bite marks that make me look like I’m into hard core sex games. I’m getting kind of desperate. Today I tried swinging his toy duck back and forth across his vision and repeated in a monotone ‘you will be a good boy, you will be a good boy.’ Oscar is turning me into a crazy person. Soon I’ll be hearing him talk back to me. But then in a blink of an eye, he’ll softly patter over to me while I’m working on the computer, and gently nestle into my lap, splaying his heavy paws around my neck as he trustingly rests his head on my shoulder. He does the whole Shrek Puss ‘n’ Boots thing and your heart melts and you feel guilty for calling him the hound of the Baskervilles and other unprintable things. Ah, the love of a naughty mutt, nothing beats it. Kind of.

Spring and Europe

April 1st, 2009

Spring is breaking through the concrete sidewalks of New York –  Blossoms are coming out and people are out on the streets stepping from sun puddle to sun puddle as they make the most of the bright new rays coming down.

I’m house hunting and weve been plodding through apartments and negotiating balconies and bathrooms and brokers. Greenwich Village seems like the best balance, right near the park, filled with cafes and bars and graceful tree lined streets.

I have to leave the USA soon to lodge my artist’s visa application which is a darned good excuse to visit Europe again. Perhaps back to Berlin, perhaps Rome to visit friends, a maiden voyage to the South of France perhaps? Ah necessity is the mother of all excuses. 

I remember as a child Europe seemed so exotic. So far away. A land with strange and exciting vistas and smells and tastes and people. It didn’t seem feasible for me to see it ever in my lifetime, a dreamland far away from the realities of our kitchen table. I still have those feelings for Europe. But she is more solid in my thoughts now, with her history, her sculpture lined boulevards, fresh summer gardens, wooden cafes – and of course her cute French boys, and Italian ones, and German ones. Ah, traveling is the mother of all excuses.

Stale hot dogs and Aliens

March 17th, 2009

I’m smack bang in the middle of the process to apply for my O-1 Visa for America. I need to prove that I am an ‘alien of extraordinary ability’ – apparently being able to juggle or consume a Whopper burger in under 10 seconds won’t cut the mustard, so I have my work cut out for me.

I’ve decided to get an apartment in downtown Manhattan, I can commute to Los Angeles for work, but it means that I can always have my dose of stale hot dogs, attempted muggings and deranged cab drivers Manhattan style. Life is good.

Gradual Headway Between Wine and Chocolate

February 17th, 2009

I’m up in the country with a friend to write a play we are going to perform as a two hander in NY. It’s about women, the light and the dark side of us crazy creatures, it’s about the duality of human nature and the limits that are imposed on it by others as well as ourselves. Athough chocolate and wine seem to have taken a front seat to the actual writing but gradual headway is being made in between sampling.

Back In New York

February 13th, 2009

I’m staying with my good friend in Manhattan and our apartment is 40 stories above street level. From here New York has canyons. Like in Sedona in Arizona, peaks and troughs with ragged edges and mushroom like satellite dishes clustered in blooms. Birds wheel around the roof top gardens and the east river lies below, still, misty silvery-grey colored like a well trodden cement field. Watching from up here, I see bright flashes ricochet through the skyscrapers as sun gets caught then hurled off gleaming window panes. I imagine those flashes are the dreams of the builders, architects with bold plans seeped in glory, condominium investors with dreams of the easy buck, or small lovingly detailed dreams with stone faces and flourishes of balconies that are an accumulation of a life time’s love of history. The dreams of the builders or the builders of dreams, I’m not sure which. 

 

Then the wind hits Manhattan and even up here, it squeals and trumpets through the cracks in the window. I imagine the tremendous wind blasting through bedrock and clouds on its long journey to reach this city. But when the ferocious wind gets here, the towering buildings, the foundations of this city don’t even rattle. There is such permanence, such rock steady permanence here. I look down below from my eagle’s perch to the tiny people walking rugged up below, buffeted by the hurling winds as they strain against its force. And that’s where the impermanence of this city lies. It’s in us. We live here like frail children protected by these notions of wall and brick. Our love for New York is like a tiny child’s for her wind resistant mortal parent, a relationship of love and duty and protection.  New York the protector.